The Drama Merchant

In this immersive and almost voyeuristic take on David Ives script, you, the audience will be empty chairs in an empty location, watching and listening as playwright/director Thomas auditions a vulgar and equally desperate actress named Vanda for the lead role in his adaptation of the 1870 novel Venus In Furs by Leopold von Sacher-Masoch. The lines are blurred between play and reality, as a serious game of submission and domination unfolds.

In this immersive and almost voyeuristic take on David Ives script, you, the audience will be empty chairs in an empty location, watching and listening as playwright/director Thomas auditions a vulgar and equally desperate actress named Vanda for the lead role in his adaptation of the 1870 novel Venus In Furs by Leopold von Sacher-Masoch. The lines are blurred between play and reality, as a serious game of submission and domination unfolds.

In this immersive and almost voyeuristic take on David Ives script, you, the audience will be empty chairs in an empty location, watching and listening as playwright/director Thomas auditions a vulgar and equally desperate actress named Vanda for the lead role in his adaptation of the 1870 novel Venus In Furs by Leopold von Sacher-Masoch. The lines are blurred between play and reality, as a serious game of submission and domination unfolds.

In this immersive and almost voyeuristic take on David Ives script, you, the audience will be empty chairs in an empty location, watching and listening as playwright/director Thomas auditions a vulgar and equally desperate actress named Vanda for the lead role in his adaptation of the 1870 novel Venus In Furs by Leopold von Sacher-Masoch. The lines are blurred between play and reality, as a serious game of submission and domination unfolds.

In this immersive and almost voyeuristic take on David Ives script, you, the audience will be empty chairs in an empty location, watching and listening as playwright/director Thomas auditions a vulgar and equally desperate actress named Vanda for the lead role in his adaptation of the 1870 novel Venus In Furs by Leopold von Sacher-Masoch. The lines are blurred between play and reality, as a serious game of submission and domination unfolds.

In this immersive and almost voyeuristic take on David Ives script, you, the audience will be empty chairs in an empty location, watching and listening as playwright/director Thomas auditions a vulgar and equally desperate actress named Vanda for the lead role in his adaptation of the 1870 novel Venus In Furs by Leopold von Sacher-Masoch. The lines are blurred between play and reality, as a serious game of submission and domination unfolds.