Anywhere Festival to take over Moreton Bay again in 2024
From tattoo parlours, wineries and beachside parks to breweries and cafés - for three weeks in May, indoor...
Anywhere and Fringe Brisbane shows at Undercover Artist Festival
Undercover Artist Festival is on now for the next few days starting today - 20 to 23 September...
2024 Dates
Stay tuned on our socials to hear announcements first.
112 performances of 39 productions and 3 festivals in how many venues???
How many theatre spaces do you need to present 112 performances of 39 productions as part of three...
That’s a wrap – Anywhere Festival wraps for 2023 (almost)
The 2023 Anywhere Festival has now officially wrapped up bar the voting after close to 400 performances of...
Tipsy History – Review by Kristy Stanfield
Tipsy History is the latest themed circus variety show from company Glitter Martini, who brought us Absolute Trash...
The Human Centipede Parody Musical – Review by Darcie Rae
As soon as I saw the name of this production in the Anywhere Festival program, I knew I...
The Reunion – Review by Backstreet Brisbane
Minerva Theatre Co’s The Reunion, written by Sophie Heather, was a fun and nostalgic immersive theatre experience performed as...
Scottish Ceilidh Dance – Review by Irene McLeod
It was a privilege to attend the first Scottish Ceilidh Dance, held by the Ceilidh Clan, since 2019,...
Wet Weather Changes Sunday 4 June!
Due to forecast wet weather we are changing the location of all performances at the Redcliffe Outdoor Amphitheatre...
Recipe for Relativity – Review by Jay Bowman
The first thing I thought when I walked into the downstairs floor of Cinnamon + Co, a homely vegan...
ART – Review by Kaylee Vera
The Tony, Olivier and Moliere Award winning play from the 1990’s, ART , is presented to an Australian...
Polis and Panathenaia – Review by Virag Dombay
Written and directed by Georgia McKenzie, the work explored the narratives of five women of Greek Tragedies –...
The Reunion – Review by Rebecca Lynne
The night began slowly, with audiences greeting each other at their assigned tables and chatting as if we...
2AM: The Extended Cut – Review by Jay Bowman
The actors delivered an engaging performance and made masterful use of the space they were in. A prime...
2AM: The Extended Cut – Review by ATYP
Rarely in theatre do you get the opportunity to engage with characters so intimately that you can read...
Into The Light – Review by Catherine Lawrence
There were so many memorable moments in Into the Light—from the synchronised screen-watching dance moves and ‘makeup’ piece...
Banshee’s Luck – Review by Catherine Lawrence
Andrew Gillanders (Producer, Playwright and Ælis) introduces Banshees Luck as ‘A Beggar’s Life for a Beggar’s Wish. Step...
Tipsy History – Review by Catherine Lawrence
Tipsy History delivers the promised cocktail of circus and variety, mixed up with a smattering of booze past...
Ruby Gilbert’s Got a Secret – Review by Catherine Lawrence
The secret is out, with the preview of songs from Ruby Gilbert’s second EP played to a rapt...
Acknowledgement of Traditional Custodians
We acknowledge the Traditional Custodians of the lands on which we present Anywhere Festival, the Kabi Kabi/Gubbi Gubbi, Jinibara, Turrbal and Yuggera Peoples. We wish to pay respect to their Elders - past, present and emerging - and acknowledge the important role Aboriginal and Torres Strait Islander people and their stories continue to play.
