Titanic: The Movie, The Play Review by Catherine Lawrence

It’s not quite as romantic as the film, but it will make you chuckle, you have a chance to be part of the action, and the only tears are likely to be of laughter. This is an enjoyable start to an evening, or a post-work treat—and is definitely a great ‘ice-breaker’ for a first date.

Act/React have done it again—producing a sure-fire highlight of the Anywhere Festival program. Yes, the Show is outside. Yes, you may not get to sit in your seat for the full 60 minutes. And yes, it probably helps a little if you have seen Titanic (the 1997 film). But this is a funny, fast-paced romp through aspects of the film, which is guaranteed to entertain (and may even give you the chance to play a starring role).

The plot of Titanic: The Movie, The Play is similar to that of the film. But you really don’t need to have seen the film to keep up with the Show. And just in case you missed it, here’s a quick **spoiler.** Girl in unhappy engagement travels with excessively wealthy fiancé on the maiden voyage of the ‘unsinkable’ Titanic… meets poor boy… falls in love/poses naked for him to draw her… escapes the sinking Titanic… loses poor boy… leaves fiancé …has an amazing life… comes back to see the salvage trip many decades later (telling the story of her love and loss in flashback).

The Act/React version doesn’t follow the film format too closely, however. The play is shorter, much funnier, and very slightly lower in budget with a smaller cast. Last year Act/React performed the memorable Kiss of the Vampire Squid. In 2019, they have returned to the Queensland Maritime Museum.  In the best tradition of Anywhere Festival, the team have again drawn on the Museum for inspiration and set—this time turning their improv minds to the challenge of re-staging a rather lengthy film to create a very funny, immersive 60-minute play.  Co-directors and writers Gregory Rowbotham and Nathalie Bochenski (together with fellow writer Dan Beeston) have another hit on their hands.

Titanic: The Movie, The Play appeared to be more highly-scripted than last years’ Anywhere Festival Show, with the cast keeping their allocated roles for the full run. This didn’t affect the entertainment value, as the team have pulled together a great cast (with many members also playing important roles in costume and set design). Drew Lochrie plays the role of Billy Zane with enthusiasm and panache—and is a great foil for Daren King’s charming Jack (in particular during their ‘altercation’). Nathalie Bochenski is a fabulous Rose (with the support of her ‘bunch of Roses,’ of course), and Elizabeth Best plays Molly Brown with great relish (and gets the best costume). Scott Driscoll has to get the ‘best beard of the festival award,’ and is a very memorable Captain… in particular when wearing the wheel for one his speeches (set & prop design by Scott Driscoll and Daren King, and costume design by Amy Driscoll).

Watch out for the iceberg, dolphins, that drawing, and the not-naked scene. And play ‘count the film references’ if you can (wait until you see Super Mario… who knew he was in Titanic?). It’s not quite as romantic as the film, but it will make you chuckle, you have a chance to be part of the action, and the only tears are likely to be of laughter. This is an enjoyable start to an evening, or a post-work treat—and is definitely a great ‘ice-breaker’ for a first date.

Verdict: Don’t die wondering if you’d make a great Rose. Get a group together, take the family, or go on your own. Buy a ticket while you can.

Audience tip: 60 minutes. All ages. Dress for the Brisbane early evening (you are outside—although there is the opportunity to ‘huddle’ at various stages). Arrive up to 30 mins early and buy a drink at the bar (run by the friendly Queensland Maritime Museum volunteers, with proceeds to support the museum) and have a quick look around. There are four more performances of Titanic: The Movie, The Play (18, 19, 25, & 26 May). Tickets are available at the Anywhere Festival website ($24 concession and $29 standard).

 Catherine Lawrence, perspectives

The reviewer attended the Sunday 12 May 2019 (6:00pm) performance at the Queensland Maritime Museum, South Bank, Brisbane.

Picture Credit: Creative Futures Photography.

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