Weddings are a great place to watch and be watched, and often act as a catalyst for a few home truths and the creation or ending of relationships. Waiting for the return of the bride and groom from their epic photography shoot, guests at this particular wedding begin to share more information than is prudent. The latest gossip, inadvertently overheard by two of the subjects (gossipees?), is that one work colleague is about to propose, while another is about to dump his partner. Confusingly, both men have names that sound the same—a classic basis for a farce/comedy.
In a short piece it is important to quickly establish the characters and their relationships. Victoria Posner—who presented, introduced, directed and wrote Here Comes The Bride?—clearly enjoys writing about strong female characters. Tahira Appadoo leapt with great relish into the nastier side of the rather bitter Vera—rising to the challenge of bossing everyone around (and demonstrating little compassion for anyone else). Yasmin Larasati (Rose) had a great part, believably transitioning from being the downtrodden and put-upon foil for Vera to becoming a feisty, compassionate and caring colleague. Georgia Pontifex (Deb) played the lovable ‘next bride,’ demonstrating that she was more than just nice (with a strong moral compass).
These three female characters had the best lines, and were therefore the most interesting in the play. The characters of Justin (Stephen Snape), Justyn (Joseph Davissen) and Jenny (Prathana Thevar-Brink) played important roles in the unfolding plot, but perhaps needed more development if a longer version of Here Comes The Bride? were to be produced.
There were a number of funny lines, delivered with great relish. But the funniest part of the evening for me was when some of the younger members of the audience made encouraging sotto voce comments to Justin, encouraging him to get on with dumping his long-term girlfriend. But this was one of the few points where the piece was truly immersive (on 26th May). For any future iterations, I’d suggest that more thought is given to the immersive aspect. Although the audience were encouraged to wander and overhear, most elected to stay in their seats which were placed in a conventional arrangement around the ‘stage.’ Perhaps welcoming guests to the event, much as an usher greets guests at a wedding (‘‘Bride or Groom?”), and arranging seating along the lines of a traditional wedding reception, would encourage greater immersive engagement by the audience. For example, at the spacious West End Sideshow creative hub, there were a number of round tables which would have allowed for seating some of the guests at the ‘reception’ tables, leaving others to float around and ‘overhear’ some of the action.
The chatter continued as we left the venue, in particular a chance to reflect on some of the more traditional aspects of weddings that still appear to prevail, and what appears to be a continued fixation on the vexed question of “when will HE propose?” Any piece that keeps the audience thinking about the issues raised, and considering the characters and stereotypes, has to have been a good show!
Verdict: Tight writing, and a funny, enjoyable short piece which needs a little more thought on the immersive aspect.
Audience tip: Easy street parking, and great coffee on sale at Sideshow. Dress warmly as the venue is open to the street at the entrance. 40 minutes.
Tickets at the Anywhere Festival website. $18. Friday and Saturday performances during Anywhere Festival 2018 (18, 19, 25 & 26 May, all at 6:30pm). Presented by Victoria Posner at The Sideshow, West End. Suitable for audiences of any age (production company suggested 15+).